Breakfast Banter

January 20th, 2018 by dewprocess.

Tonight is the Producers Guild Awards, in anticipation of which I was invited to this morning’s Nominee’s Breakfast, where I got to meet some fascinating producers from all over the world, and catch pearls of wisdom from the mouths of this year’s Nominated Pictures shepherds. Rather than post a bunch of thoroughly uninteresting selfies of me side hugging a ton of celebrities I’ve never met before, I thought it might be a tad more interesting to recall some of the comments I caught from others, in passing:

“If it had come to me without Aaron Sorkin attached to write it, it would have been hard to do. He was a real challenge, though. As tough as he was to work with as a writer, he was a pleasure to work with as a director.” – Mark Gordon, producer of “Molly’s Game”

“We thought ‘we’ll probably only get a million dollars to make this, and nobody will see it, but this is such a beautiful story, we have to do it.’” – Barry Mendel, producer of “The Big Sick”

“We came to Warner Brothers with the script and Chris (Nolan) said ‘Here’s the story, but we insist on casting it with unknown actors.’” – Emma Thomas, producer of “Dunkirk”

“Here’s one that nobody will ever make.” – Jordan Peele, pitching a script at a coffee meeting to discuss random possible projects, as recalled by Sean McKittrick, producer of “Get Out”

‘I wanted to produce and star in this before I knew Tonya Harding was a real person.” – Margot Robbie, producer and star of “I, Tonya”

“The last person we wanted to talk to was Scott (Rudin) because he is Noah Baumbach’s producer, and we wanted this to be Greta’s (Greta Gerwig) story. But he pushed for it, and did amazing things.” – Evelyn O’Neill, producer of “Lady Bird”

“When everyone thought Clinton would get in, directors were turning us down because they saw it as a drawing room drama: quaint and unimportant. When January came, though, we had interest from a lot of very different directors.” – Amy Pascal, producer of “The Post”

 “Guillermo (del Toro) came to me with this story about a mute cleaning lady falling in love with a fish man, and it was obviously a slam dunk! I smelled a bidding war!” – J. Miles Dale, producer of “The Shape Of Water”

“Martin (McDonagh) wrote this for Fran (Frances McDormand), and for Sam (Rockwell), but getting him to direct it was a challenge. He likes his plays, and he likes his time off: to travel, to see things” – Graham Broadbent, producer of “Three Billboards Outside Ebbing, Missouri”

“We made a conscious decision from the start to have a woman director because how do you tell the story of such an iconic feminist character without a female helming the production?” – Deborah Snyder, producer of “Wonder Woman”

 

An Old Adage Goes Interactive

January 12th, 2018 by dewprocess.

Fort Collins, Colorado is installing its own “civic broadband” service, after the politicized FCC instituted a net neutrality repeal.
Chattanooga was the first with a municipal ISP program, and more will follow.

Perhaps this is how we beat corrupt government: think global, act local!

Of additional interest will be the implications for the larger telcos, cablecos, and other “Last Mile” pipeline owners such as AT&T, Verizon, Spectrum, et al: If municipalities become ISPs, the democratization of Internet access will be accelerated dramatically, and represent a big threat to private corporations’ strategic throttling of content distribution.