The following list was compiled by PGA New Media Council member, Susan Zwerman. It’s meant to be a work-in-progress, and comments and suggestions are welcomed:
AccuWeather ver 2.0: http://itunes.apple.com/us/app/accuweather-for-iphone/id300048137?mt=8 Gives video forecasts as well as accurate weather information. Can email weather report directly through your iPhone or iPad. (Free) Action Log: http://itunes.apple.com/us/app/action-log/id316992969?mt=8 Action Log is a film and television-logging tool, designed for use on location or in a studio with up to 25 recording devices. At the touch of a button the logging system keeps track of all reel names and time codes for each recorded piece of action. For iPhone or iPad. (Free) Align of Sight: http://itunes.apple.com/us/app/align-of-sight/id385134018?mt=8 For Precision Photography, Visual Effects, Match-Moving and Location Scouting. Record and log any view vector in space & time and align live camera angles to previously recorded Lines-Of-Sight and specific sun direction. Used as a digital level on a camera. For iPhone or iPad ($14.99) Artemis: http://itunes.apple.com/us/app/artemis-directors-viewfinder/id324917457?mt=8 A Digital Directors viewfinder. For the iPhone (Free) Artemis Remote for the iPad: http://itunes.apple.com/us/app/artemis-remote-for-iPad/id372459098?mt=8 Directors Viewfinder and Remote – Use your iPhone 4 camera as a director’s viewfinder to plan out shots, and feed that information over Wi-Fi to your iPad. You can select the lens size, ratio, etc. For iPad. ($4.99) Aspect Ratio Calculator: http://itunes.apple.com/us/app/aspect-ratio-calc/id423170814?mt=8 Calculates video aspect ratios and pixel dimensions. Presets are provided for common formats. Results can be copied to the clipboard or emailed. For iPhone and iPad. ($1.99) CamCard: http://itunes.apple.com/us/app/camcard-lite-business-card/id355472887?mt=8 Scans and reads business cards and convert to contacts. Can save contact information in Card Holder or iPhone Address Book. For iPhone or iPad. (Free) Camera for iPad: http://itunes.apple.com/us/app/camera-for-ipad/id366129244?mt=8 Add a camera to your iPad – wirelessly. Easily connects any two devices to send the camera from one to the other. Simply start Camera for iPad on both devices, and they’ll find each other. Your iPad shows what the iPhone’s camera sees. For iPhone and iPad. ($.99) Celtx Shots: http://itunes.apple.com/us/app/celtx-shots/id467370902?mt=8 Celtx Shots is the first app with both storyboarding and set blocking built-in, so you can create storyboards and block scenes in the field or on the set. For iPhone or iPad. (Free) Storyboard Composer: http://itunes.apple.com/us/app/storyboard-composer/id325697961?mt=8 Storyboard Composer is a mobile story boarding application. No need to know how to draw. This app allows you to portray your vision to others in an easy controllable format. Designed for Directors, Directors of Photography, Producers, Writers, Animators, Art Directors, film students and anyone who wants to be able to visualize their story. For iPhone or iPad. ($14.99) Daylight: http://itunes.apple.com/us/app/daylight/id324528814?mt=8 Display sunrise and sunset times for your current location, at any point in time. For iPhone or iPad. (Free) Documents To Go: (Office Suite)http://itunes.apple.com/us/app/documents-to-go-office-suite/id317117961?mt=8 Enables you to read and edit Word and Excel docs from your computer on your iPhone i.e. call sheet. This app can also view PowerPoint, PDF, iWork, Text, and RTF files on both the iPad and iPhone. Need to sync iPhone or iPad with a Desktop application to use. ($9.99) Documents 2: http://itunes.apple.com/us/app/documents-2-free-spreadsheet/id314894105?mt=8 Mobile app that lets you see any type of office document on your iPhone, iPad Also can transfer documents to/from your iPhone via FTP or Wi-Fi, Google, or Email. For iPhone or iPad. (Free) Doddle Premium: http://www.doddleme.com/registration/pro-preview/ Create Digital Interactive Call Sheets right on your iPhone. Auto Update Weather and Emergency info for your shoot by just adding a location and date. Get interactive Map locations by adding in set address. If you make a change on your call sheet you can send out an email notifying the crew in your address book of that change. For iPhone and iPad. ($2.99) DOFMaster: http://www.dofmaster.com/iPhone.html Calculates depth of field for photography and provides best f-stop and lens combination. For iPhone. ($1.99) Dropbox: http://www.dropbox.com/iPhoneapp or http://www.dropbox.com/ipad Save and restore documents for moving to multiple devices. Bring your files with you wherever you go. Easy to upload photos and videos to Dropbox. For iPhone or iPad. (Free) Easy Release: http://itunes.apple.com/us/app/easy-release-model-release/id360835268?mt=8 Create release forms for talent. There are pre-canned release forms to get you started, simply fill in the blanks, save the form as a template. Hand this form to your talent so they can sign with their finger. Email the PDF to them and yourself. For iPhone and iPad. ($9.99) Movie Slate: http://www.movie-slate.com/ All-in-one digital slate, clapperboard, shot log, and notepad are used for film, TV, documentaries, music videos, and interviews. It records both for the iPhone and iPad all of a shot’s production, GPS location, and time code data and is stored to the MovieSlate’s shot log history. This report can then be exported and viewed on your web browser. iPhone 3GS or later and iPad ($24.99) Evernote: http://itunes.apple.com/us/app/evernote/id281796108?mt=8 Evernote is an easy-to-use list maker that helps you remember everything across all of the devices you use. This app lets you take notes, capture photos, create to-do lists, record voice reminders–and makes these notes completely searchable. For iPhone and iPad. (Free) Fahrenheit: http://itunes.apple.com/us/app/fahrenheit-weather-temperature/id426939660?mt=8 A weather application that uses latest technology to show the current temperature of any location. This app gives you detailed weather information of unlimited cities worldwide with an easy-to-use user interface. For iPhone and iPad. ($.99) FDX Reader: http://itunes.apple.com/us/app/fdx-reader/id437362569?mt=8 Reader for Final Draft scripts for the iPhone and iPad. Final Draft uses a file format called .FDX. If you’ve ever attempted to open one of these files on iOS, you get raw XML. With FDX you get a screenplay nicely formatted. For iPhone and iPad. ($7.99) FiLMiC Pro: http://itunes.apple.com/us/app/filmic-pro/id436577167?mt=8 This app gives you more control over iPhone movie recording. It turns your iPhone into a fullfeatured HD video camera. For iPhone and iPad. ($3.99) Flashlight: http://itunes.apple.com/us/app/flashlight-o/id381471023?mt=8 Works like a real small flashlight. This app helps you see when it’s night exterior inside or outside. For iPhone and iPad. (Free) Final Draft Reader: http://www.finaldraft.com/products/mobile/reader/ It precisely displays production scripts, including colored production pages exactly as they appear on your desktop – perfectly paginated. You can make script notes directly on your iPad. For iPad only. ($19.99) Flipboard: http://itunes.apple.com/us/app/flipboard/id358801284?mt=8 For both the iPhone and iPad. Internet access to web, Facebook, Twitter, Linkedin, etc. Creates a personalized magazine out from shared files. For iPhone and iPad. (Free) Genius Scan: PDF Scanner http://itunes.apple.com/us/app/genius-scan-pdf-scanner/id377672876?mt=8
Genius Scan turns your iPhone into a pocket scanner. It enables you to quickly scan documents on the go and email the scans as JPEG or PDF. For iPhone and iPad. (Free) GoodReader for iPhone: http://itunes.apple.com/us/app/goodreader-for-iPhone/id306277111?mt=8 PDF reader with advanced reading. You can read virtually anything, anywhere: books, movies, maps, and pictures. The ability to mark-up PDFs opens up new doors to GoodReader users who can now use typewriter text boxes, sticky notes, lines, arrows, and freehand drawings on top of a PDF file. This version is free for iPhone. For iPad, get “GoodReader for iPad.” ($4.99) GPS by TeleNav: http://itunes.apple.com/us/app/gps-by-telenav/id414817704?mt=8 3D maps with live traffic flow, turn-by-turn directions with manual re-routing, local search, and cheap gas price finder. Now with Facebook integration & enhanced map discovery. For iPhone 3GS, 4, 3G and iPad and iPad 2. (Free) Group Email: http://itunes.apple.com/us/app/groups/id407855546?mt=8 Create and manage groups of contacts . Email a group of contacts as well as attach images to your group emails. For iPhone and iPad. (Free) Group Text: (textPlus free texting & group text): http://itunes.apple.com/us/app/textplus-free-texting-+-group/id314487667?mt=8 Can use this app for free texting. . For iPhone and iPad. (Free) Helios Sun Position Calculator: http://itunes.apple.com/us/app/helios-sun-position-calculator/id311648870?mt=8 This application graphically predicts the path of the sun from dusk to dawn, on any given day, in any given place. Good for Cinematographers and Still Photographers working in natural light. For iPhone and iPad. ($29.99) iAnnotate PDF: http://itunes.apple.com/us/app/iannotate-pdf/id363998953?mt=8 This app has a fully searchable library to organize, find, and read your documents. It is used for taking notes on lecture slides, annotating important business documents, revising screenplays, and grading papers. For iPad only. ($9.99) IMDB: http://www.imdb.com/apps/iPhone/ Specifically for IMDB access on the web. Internet industry database – large connection of movie, TV and celebrity info. For iPhone and iPad (Free) iMovie: http://itunes.apple.com/us/app/imovie/id377298193?mt=8 Great way to do simple edits on the go. For iPhone and iPad. ($4.99) Instapaper: http://itunes.apple.com/us/app/instapaper/id288545208?mt=8 Save and access web pages to read later when you are without Internet connection. For iPhone and iPad ($4.99) iSlate: http://itunes.apple.com/us/app/islate/id295464071?mt=8 Simple slate and easy to use as a portable digital clapper board. Digital Slate for Red Camera. For iPhone and iPad. ($2.99) iVideoCamera: http://itunes.apple.com/app/ivideocamera-record-video/id332166209?mt=8 Now with tons of effects, this app records videos for older iPhones as well. For iPhone and iPad. ($.99) LightMeter: http://itunes.apple.com/us/app/light-meter-free/id410228606?mt=8 A simple light meter. For iPhone and iPad (Free) LiVE-PLAY: http://lightiron.com/services/live-play Automated Video Playback – LiVE PLAY is a streaming playback tool designed to enhance existing VTR setups on the set. With LiVE PLAY, iPads can be used as monitor for serving an unlimited amount of clips and are completely secure. It lets users view, share, and comment on clips from their LiVE PLAY-equipped iPads. For iPad. ($34.99) MapQuest 4 Mobile: http://www.macworld.com/appguide/app.html?id=113106&expand=true FREE voice-guided, turn-by-turn, GPS navigation for iPhone. Your phone speaks to you, telling you when to make a turn. Easily search with a single click while on the go. Stay on schedule by checking live traffic en route. If you take a wrong turn, MapQuest re-routes you automatically. For iPhone and iPad. (Free) MatchLens: http://itunes.apple.com/app/matchlens/id315223799?mt=8 This calculator computes the equivalent lens focal length to produce the same field of view between two cameras with different aperture/sensor sizes. It will do a “Match Lens” calculation, and produce the closest equivalent angle of view lens, in millimeters, for both vertical and horizontal frames. For iPhone and iPad. ($9.99) Movie Magic Scheduling To Go for the iPadhttp://itunes.apple.com/us/app/movie-magic-scheduling-to-go/id428072812?mt=8 It only works with a file that is created in Movie Magic Scheduling 5 and can make changes with the touch of a screen. Movie Magic Scheduling To Go provides a mobile companion solution to the desktop version of Movie Magic Scheduling 5 for use on the iPad. It allows you to make changes to your existing schedule in a simple touch screen interface. For iPad. ($29.99) Movie Slatehttp://www.movie-slate.com/ With each closing of the clapper, MovieSlate automatically creates a shot log with your production, timecode, notes, and even the GPS location of your shots. For iPad and iPhone. ($24.99) MyRadar: http://itunes.apple.com/us/app/myradar-weather-radar/id322439990?mt=8 Regular MyRadar is free and fast and easy to use. It displays animated weather radar around your current location, allowing you to quickly see weather patterns coming your way. For iPhone and iPad. (Free) Notes to Store: http://itunes.apple.com/us/app/notes-to-store/id364740608?mt=8 Create notebooks of unlimited pages, type text, import photos, draw on photos or sketch. For iPad. ($1.99) OmniFocushttp://www.omnigroup.com/products/omnifocus-iPad This is a personal task management app. Keep it all up-to-date and take your to-dos to-in sync your devices. Categorize your tasks by the tool, resource, or location required to accomplish them. For iPhone ($19.99) and for iPad. ($39.99) OmniGraffle: http://itunes.apple.com/us/app/omnigraffle/id363225984?mt=8 Your iPad touch screen is your canvas. It provides stencils full of objects for you to drag and drop, and it can magically organize diagrams so your ideas come to life. For iPad. ($49.99) Orchestra to-do: http://itunes.apple.com/us/app/orchestra-to-do/id459356540?mt=8 This app is a list maker. If everyone has it, you can send out and update to-do lists wirelessly. Good for inter-department app. Automatically syncs between the iPhone and the web for home/work, and can also create tasks with your voice. For iPhone and iPad. (Free) PanaScout –Lite: http://itunes.apple.com/us/app/panascout-lite/id371341478?mt=8 For crews scouting locations. This app shows the Cinematographer’s viewpoint from a professional cinema camera. For iPhone and iPad. (Free) PanaScout: http://itunes.apple.com/us/app/panascout/id361799671?mt=8 This is more advanced than the Lite version, with zoom issue resolved. It allows you to upload your stills to Final Cut. 360 Panorama – take location stills and stitch them together. For iPhone and iPad. ($9.99) pCAM Film+Digital Calculator: http://www.davideubank.com/Good_Focus/pCAM_Film+Digital_Calculator.html Many features for Cinematographers, Camera Operators & Assistants, VFX Supervisors, Script Supervisors and Still Photographers. Calculates Depth of Field, Splits-Aperture Finder, Field of View (Picture Sizes), Focal Length, Exposure, and Running Time Length. For iPhone and iPad. ($29.99) PDF Expert: http://itunes.apple.com/us/app/pdf-expert-fill-forms annotate/id393316844?mt=8 It lets you read and annotate PDF documents, highlight text, make notes, draw with your finger and save these changes being compatible with Preview and Adobe Acrobat. This iPad application can fill in PDF forms. You can get PDF files from desktop computers, email attachments, documents on Dropbox, MobileMe iDisk, GoogleDocs etc. For iPad ($9.99) PDF Reader: http://itunes.apple.com/us/app/pdf-reader-iPad-edition/id367816156?mt=8 PDF Reader can read all PDF files. For iPhone ($1.99) and iPad. ($4.99) Phone Aid: http://itunes.apple.com/us/app/phone-aid/id293019352?mt=8 Phone Aid contains real-time slideshows with clear, intuitive pictures and voice instructions that guide you through CPR and how to help a choking person when it really happens. You will also get an A-Z First Aid guide where you will find simple, straight forward advice on how to initially handle the most common injuries and illnesses such as, drowning, convulsions, burn injury, snake bite etc. For iPhone and iPad. ($1.99) Photosynth: http://itunes.apple.com/us/app/photosynth/id430065256?mt=8 This is a panorama creation app that makes it easy to capture and share interactive panoramas of the locations. Photosynth allows you to make a panorama from left to right, as well as up and down, thus enabling you to capture a full “sphere” (3D image of the location). For iPhone and iPad. (Free) PlainText: Dropbox text editing http://itunes.apple.com/us/app/plaintext-dropbox-text-editing/id391254385?mt=8
This app is a simple text edit and allows you to create and organize your documents in folders and sync everything with Dropbox.com. For iPhone and iPad. (Free) ProPrompter: https://apps.bodelin.com/ The universal app can sync between iPad and iPhone, so you can use your iPhone to remote control the iPad scrolling. For iPhone and iPad. ($9.99) Rdm+http://www.rdmplus.com/ Remote desktop for mobiles. This uses your computer on your iPhone if both are running. Works with both PC and MAC. For iPhone and iPad. ($9.99) ReelDirector: http://itunes.apple.com/us/app/reeldirector/id334366844?mt=8 Video editor that can create and edit movies right on the iPhone/iPad and includes a drag-anddrop timeline. For iPhone and iPad. ($4.99) Screenplay: http://itunes.apple.com/us/app/screenplay/id322410822?mt=8 Writing scripts index card -write up index cards and group, color them accordingly. For iPhone and iPad. ($4.99) ShotList -Movie Shoot Planning: http://itunes.apple.com/us/app/shotlist-movie-shoot-planning/id424885833?mt=8 ShotList shows a production stripboard to your mobile device, allowing the planning and tracking of every scene of a shoot as it happens. For iPhone and iPad. ($11.99) Speedtest: http://itunes.apple.com/us/app/speedtest.net-mobile-speed/id300704847?mt=8 Tests Internet speeds – one tap connection under 30 seconds to find out your upload, download and Ping speeds. For iPhone and iPad. (Free) Squiggles: http://itunes.apple.com/us/app/squiggles/id284927554?mt=8 This is a paint and image app that can create some sophisticated looking artwork with ease. Take a photo or select an image with your device and then doodle on it. Decorate with many overlay images and special stamp brushes. For iPhone and iPad. ($.99) Storyboards: http://itunes.apple.com/us/app/storyboards/id392533504?mt=8 Storyboards allows you to create your movie’s storyboard without requiring any drawing ability. Hundreds of characters and props are included inside this library. The free version lets you create up to 2 storyboards of 10 drawings. For iPad. (Free) Sun Chaser: http://itunes.apple.com/us/app/sun-chaser/id428454778?mt=8 SunChaser is an app to calculate sun’s setting and rising time with the use of iPhone that detects your location. For iPhone and iPad. (Free) Sun Compass: http://itunes.apple.com/us/app/sun-compass-for-iPad-ipod/id367001553?mt=8 This compass app determines your direction by calculating the current sun position. Sun predictor, less advanced than Helios. For iPhone and iPad. ($.99) Sunrise Sunset Prohttp://itunes.apple.com/us/app/sunrise-sunset-pro/id319184913?mt=8 Displays sunrise/set times, dawn, dusk, solar noon, sun positions throughout the day. For iPhone and iPad. ($1.99) Sun Seeker: http://itunes.apple.com/us/app/sun-seeker-3d-augmented-reality/id330247123?mt=8 Provides a flat view compass and an augmented reality camera 3D view showing the solar path, its hour intervals, its winter and summer solstice paths, and rise and set times. Find the sun, even when it is hidden by clouds. For iPhone and iPad. ($4.99) The Weather Channel®: http://itunes.apple.com/us/app/the-weather-channel-for-ipad/id364252504?mt=8 The Weather Channel for iPad combines interactive imagery with weather report. Full screen, customizable weather maps. M Push alerts for severe weather in your selected location. For iPad only (Free) Time Card 24 Converterhttp://itunes.apple.com/us/app/time-converter-24-free/id444154009?mt=8 A simple application to help convert clock times into decimal times. For example: 6:42pm to 18.7. This helps in filling out time cards. For iPhone and iPad. (Free) To-Do-List: http://itunes.apple.com/us/app/to-do-list/id293837047?mt=8 Keeps track of all your to-do lists. For iPhone and iPad. ($.99) Toodledo: http://itunes.apple.com/us/app/toodledo-to-do-list/id292755387?mt=8 Toodledo is a powerful task and note manager. It will help organize your to-do list and notes. For iPhone and iPad. ($2.99) Voxer Walkie-Talkie PPThttp://itunes.apple.com/us/app/voxer-walkie-talkie-ptt/id377304531?mt=8 This is a Walkie Talkie app for smartphones. Send instant audio, text, photo and location messages to your crew. Your crew can listen to your message if their app is turned on and they are on Wi-Fi otherwise it will save like a text message for you to hear later. For iPhone and iPad. (Free) WiFi HD: http://itunes.apple.com/us/app/wifi-hd-free-wireless-hard/id311170976?mt=8 Turn your iPhone into a wireless, mobile external hard drive. Works over any WiFi connection. You can now share, copy, and backup your files to and from your PC or Mac. For iPhone and iPad. (Free) WritePad: http://itunes.apple.com/us/app/writepad/id293033512?mt=8 WritePad is a text editor that utilizes advanced handwriting recognition input for the English language as well as iPhone keyboard for text entry, and includes spell checker, context analyzer, and standard editing operations such as copy, cut, paste, etc. For iPhone and IPad. ($3.99) WriteRoom: http://itunes.apple.com/us/app/writeroom/id288751446?mt=8 This app allows you to write text files in focus. It uses Dropbox to keep your documents organized. Also has ability to use fonts & colors. For iPhone and iPad. ($4.99)
If you have a suggestion for an app that would be useful to production personnel, or any other feedback, Susan Zwerman will be updating this list regularly, in PDF form. For details, email her at: susanzwerman@gmail.com
The acronym for the day is SOCIAL, or “Suitably Overt Customer Interaction And Loyalty”.
Many of my new clients express frustration at Twitter, decrying it as a shadow play with little substance and no value to their corporate brand needs. In those cases where Twitter conversation would be a useful mechanism in brand building, it doesn’t take long to lay out the many reasons why such engagement has value. It takes more than a few minutes, however, so when a brand demonstrates the value of Twitter engagement in literally a few minutes, I want to celebrate the case study.
This afternoon, in between meetings, I stopped by a Chipotle restaurant, to grab a chicken burrito (one of my occasional not-too-guilty pleasures!). I’ve enjoyed the experience at this restaurant for several years now, with its proven mix of marketable ingredients (organic, sustainable, carefully prepared, etc) and fast friendly service. I was surprised and disappointed, therefore, when I was served today by a somewhat lackluster team of servers with little enthusiasm, who doled out minute portions, and then back-filled my burrito with copious amounts of lettuce, in order to disguise the miniscule mix of “main” ingredients. To make matters worse, they left my burrito sitting open on the counter for a lonnnng time, while they went off in search of the lettuce, such that it was stone cold when I finally bit in to it. I was in a hurry to get to my next meeting, so I hurriedly vented via Twitter, and carried on my day, disappointed, but focusing on other matters. Here below is my tweet:
Within less than a minute I got this reply on Twitter:
Keeping with my shark analogy, I decided to bite, and – while listening to a particularly monotonous Q1 earnings call, I filled out an online customer feedback form. I hadn’t even finished the call, when I received an email from a customer service rep at Chipotle (copying a grand total of 13 other Chipotle employees!) apologizing to me for my experience, and detailing the actions the company intended to take to ensure that the restaurant where I had had my unfortunate experience improve its service with all due haste. That I was also offered a free burrito was a nice “icing on the cake” gesture that I appreciated. I was most struck, however, by the clearly demonstrated urgency and seriousness with which Chipotle’s online customer service team responded to my offhanded “vent”. In a matter of minutes, this individual disenchanted customer was converted in to an admiring partner in their success. I immediately tweeted my reaction:
And was instantly answered:
That short exchange cemented the brand’s humanity and intimacy, which is all too often a casualty in a very noisy retail marketplace, especially in the food services sector. It took Chipotle less than 20 minutes to fix a relatively small problem, but that 20 minutes also served to reestablish and strengthen a relationship with one of their most valuable brand stewards, the customer.
So, when you’re next wondering whether an investment in social engagement is worth it, take a look at the cost of all your ad buys, and the time you spend interfacing with your agencies, and the weeks you spend percolating messaging, and then perhaps you’ll realize that the ability to have quick and direct conversations with your end-user is of far greater value than you previously imagined: 20 minutes, perhaps 8 times daily, exponentially multiplied by the knock-on goodwill generated…there’s real power in doing things right.
One of the many April Fools joke postings yesterday involved a claim that Nielsen was abandoning “People Meters”, in favor of tracking audience viewing data via Facebook and Twitter posts. I fell for it long enough to think about the implications of such a move. Once I cottoned on to the ruse, however, I was left with an abiding sense that an issue had been revisited that was far from resolved: Nielsen is obsolete as a tracking mechanism, and the various solutions they and their network clientele keep percolating are almost as useless as the systems currently in place.
The technology exists today to unobtrusively track actual viewing patterns and numbers, so why is Nielsen *still* extrapolating data points from subjective choice-oriented pools, such as Nilesen “diaries” and set-top boxes? Opting for social network-oriented insights would be just as subjective – even without taking in to consideration the fact that there is a drop off in usage of such apps as IntoNow, as people make a move toward reclaiming their privacy.
If IP is being patented to monetize ad-skipping, why not reward opt-ins for more granular tracking? One possible scenario: if viewers let DVR and live viewing data be recovered through hardware-embedded tracking tools, on an anonymous basis, they could get a certain number of credits. Increasing the demographic visibility of their viewership might increase their credits, and credits could be used toward ad skipping, network related bonus content, and so many other rewards. The possibilities are endless, and yet Nielsen et al prefer to look only as far as the end of their noses. The transparency of many social platforms is testament that consumers don’t mind sharing their habits, while the backlash against many misguided practices of some social endeavors (“Beacon” anyone?) demonstrates user commitment to managing their transparency, and not having it co-opted or monetized by third parties, without their consent. It’s not even about consent, in fact. It’s about collaboration. The consumer has begun to see that their life has value – monetary value – and they are willing to share that value, so long as the returns are worth the exposure. For some, it’s as simple as badges and upvotes, for others it’s perks and awards. If Nielsen gets smart, it will recognize this trend, and add a seat at the partnership table for the end-user, and audience tracking in the 21st century could become a much more accurate, rewarding, and dare I say enjoyable exercise for all involved.
I got an iPad six months ago, and have spent the time since then exploring far too many apps for my own good, so I’ve decided that my iTunes Store meanderings should do some good for someone, if possible…
Over the next few months, therefore, I’m going to share some of the apps that I have deemed “keepers”, amidst the legion of apps that have sojourned briefly on my iPad, before being unceremoniously deleted for lack of perceived long term value. Unquestionably, many of these apps that today I praise will eventually be usurped by new and improved solutions. For now, though, these are the few apps that have survived my merciless judgment, by simple dint of the fact that they’re better than the rest:
In order to make this review somewhat digestible, I’m going to split the apps into 20 categories, and I warmly welcome your own feedback and input, should you know of any apps I’ve not covered, which you feel are superior.
Learn
Teach
Read
Play
Create
Watch
Travel
Notes
Share
Listen
Finance
Work
Research
Shop
Utilities
Photography
Communicate
News
Cook
Cure
Please note that in all but one or two cases, I am focusing on apps that are, or were at one time or another, free. With this in mind, let me start with the “Shopping” category:
SHOPPING
Yes, I downloaded the Catalogue app, for all of about 10 minutes. It seemed cool for about that long, before I realized I hate getting catalogues in the post, so why would I rejoice in a flashy digital version of the junk mail tomes? It was therefore the first app to “wiggle” its way out of my iLife. Other apps fared better, however.
AppStart, AppShopper, App Deals, AppPriceDrop
With 585,000 apps in the App Store (as of 03/07/2012), of which more than 150,000 are exclusively for the iPad, how does a new owner know what’s what? A good beginning would be to dive in to the very attractively designed AppStart interface, and learn a little about the device itself, how to maximize its functionality, and then which top apps merit installation as a good foundational collection. At this point, it would be useful to learn the “secret” many iPad users have learned too late: an enormous number of iPad and iPhone apps fluctuate in price on a frustratingly random basis. I rely on a trio of research and aggregation apps (AppShopper, App Deals, AppPriceDrop) to parse these fluctuations, and take best advantage of “sales”.
Flow
Amazon’s AR app takes impressive advantage of your iPhone or iPad camera, and lets you point your device at the everyday products around you to discover more about them, and how much they cost on the site that truly seems to have it all. Audio and video clips of some products are often offered, and the A9 technology makes the pan functionality effortless. I was at a friend’s house and browsed a book they had recommended to me, held my iPad infront of it, and in less than the time it took to say the title, I had added it to my Amazon wishlist. From a consumer perspective this is functional utility through technology innovation at its finest. From a sales perspective this is targeted “pull-push” marketing at its most impressive.
GrouponHD, LivingSocial, Spreebird
The ubiquitous deal companies have efficient mobile apps to accompany their desktop sites. I actually find the LivingSocial one to be a little better designed, but the Spreebird app (and site) allows me to donate 10% of the deal back to my daughter’s school, so the double whammy win is a good twist on a concept that is getting old in the eyes of many vendors out there.
Craigslist, eBay
If you use these sites on your PC or Mac, these apps are great add-ons, to help you track and manage your buying and selling.
Karma
My newest app crush is on Karma. The concept is deceptively simple: tap in to your social network to manage your gift giving schedule; respond to the growing demand for “in the moment” accessibility and ease of process; transfer the choice to the recipient, without diminishing the impact of the gesture. You have to try it out to “get it”, but (as the tagline suggest) “good things will follow”.
On the bubble…
ShopAdvisor, Coupons, RedLaser, ShopSavvy, Yowza!
I love the idea of Barcode scanning for price comparisons, and easy access to coupons in situ, but I’m afraid the value of these apps may be limited to the mobile phone form factor: the iPad and other tablets prove too bulky for the mobile scanning function, IMHO. That said, these 5 apps seem to be the best of the bunch, and I tested a bundle.
Do let me know if you’ve discovered iPad apps that have made your life as a consumer a little easier, or simply a little more fun!
Next time, I’ll be reviewing which Social apps I use on a regular basis.
Here’s vibrant proof that some folks still don’t understand social engagement: McDonald’s (@McDonalds) mucked up a social conversation on Twitter recently, and then their own social media director, Rick Wion, demonstrated an embarrassing lack of awareness, when he tried to explain the whole thing away. One particularly shocking phrase stood out for me: “…With all social media campaigns, we include contingency plans should the conversation not go as planned…”.
How many times do I have to say this?! Social Engagement is NOT a “campaign”, it is a commitment, and sometimes commitments require weathering rough spots in the relationship; forging through together; learning to listen as much as talk; and - should some control be necessary – controlling in an invisible manner that can never be resented. By admitting that (a) McDonalds continues to desire control of the social media landscape within which it operates, and (b) it considers Twitter conversations as nothing more than advertising campaigns, their Social team has exhibited a McRoyal lack of awareness, with cheese. That the brand thinks it can openly control social engagement initiatives, and then impose “contingency plans”, when the outcome doesn’t match their projection, demonstrates not only a lack of experience, but a mentality that will consistently fail to leverage the potential of social engagement, until said mentality changes. A good social strategy is a responsive and flexible one, not a rigid and controlling one.
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So, let me repeat: As I first said in 2007, and have repeated each and every year since: Social Engagement is a COMMITMENT to connection and bidirectional relations. It will not work to its full potential if it is treated as an advertising or product marketing CAMPAIGN tool. Gone are the days when you could blatantly push or pull the consumer in one direction or another, without any regard for their own instincts. The power of marketing has transformed in to one of influence, rather than impact. That’s not to say you cannot use social tools to support, and even push forward, certain marketing campaigns. It’s simply that there are too many variables at play within the social ecosystem for a brand to want to control things all the time. How long would you stay married to a spouse who was *always* and obviously controlling? “Leveraged influence” and “moderated transparency” are the buzzwords today.
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“…All right stop.
Collaborate and Listen.” – Vanilla Ice
Moderated transparency
One must be prepared to let the consumer peek behind the curtain a little more than previously, and even fiddle with some of the levers. A smart brand will create levers with which the social community can interact:
A brand should always have a vision and an objective, and all strategies and actions should be manifest and pursued within the context of the brand objectives. Properly managed social engagement can help to strengthen the brand vision and more effcieiently attain the objectives, both internally and externally:
Inspire employee and consumer evangelism and sharing
Challenge dormant employees, distributors, and consumers to reengage
Educate and redirect potentially hostile influencers
Instill brand values without imposing them
Crowd-source creative opportunities at little to no-cost
Empower stakeholders to truly feel a sense of part ownership in the brand’s success
Boost ROI
Advertise incrementally (no need to invest tens of millions if there’s no pick-up whatsoever)
Blend resources (social brand engagement is not just about marketing, it’s about engaging (thus the term!) the whole ecosystem of stakeholders in a manner that brings them closer together, and able to more effectively enhance the brand value. It could be a matter of activating a previously dormant employee population, creating a more tight-knit community out of a global sales force, or bringing end-users closer in to the fold, so that an offering can benefit from their insights, and presell itself in the process.
Year-round presence – social engagement is a full-time enterprise, thus the need for commitment. However, while a conventional marketing campaign requires aggressive ”full-bore” tactics, a social strategy can be far more leisurely, and thus far more manageable. The community will hold the brand up alongside the social team, so long as everyone is playing well together.
Oh, and one more thing…social engagement brings humanity and humor back in to the mix. That’s never a bad thing.
As a co-founder of the New Media Council, and long-time member of the Producers Guild of America, I am sometimes able to benefit from certain opportunities that make me fall in love with filmmaking all over again. This morning was one such opportunity.
Tonight marks the 23rd annual Producers Guild Awards, precursor and controversial bellwether to the Oscars. A select few members of the Guild are able to attend a breakfast gathering, on the morning of these awards, to meet and hear from the Producers of each nominated Feature Film. It is an intimate and convivial get-together, and always illuminating.
Despite the assumption by many that Producers focus mostly on the fiscal value of a film, when pondering which box to mark on their voting ballot, the conversations this morning were only momentarily focused on financing, and largely concerned with the creative and operational processes of bringing a story to the screen.
What struck me almost immediately was how collaborative and connected to one another these producers had been on these projects, during the past year: Kathleen Kennedy was the impetus for both War Horse and The Girl With The Dragon Tattoo, while Spielberg catalyzed the realization of The Help. Amusingly, everyone on the panel credited Brad Pitt with some aspect of their production, even though the actor/producer was unusually restrained in his remarks re. friend George Clooney (strongly involved in two of the nominated films).
Even more compelling were some nuggets of wisdom and info dropped by individuals, during the course of conversation:
War Horse
When asked why he made the movie, Spielberg answered “I made the movie to get to that scene where the German and the Geordie free the horse from the barbed wire together”.
8 horses were used to portray the central character in the film, with two (“Abraham” and “Finder”) carrying the heavy acting load.
Midnight In Paris
Woody Allen‘s scripts are largely devoid of stage directions. Just dialogue. The visual is only revealed during production. More startling still is the fact that Woody Allen doesn’t write a thing until full financing is obtained. This film was made for $18 Million, all of which was obtained on his name alone. Only when the money was in the proverbial bank did Mr. Allen begin the scriptwriting process, which consisted of well over a month of “just thinking”, followed by 4 short weeks of longhand writing, and then typing up the draft (which Woody had to do himself, since nobody else could read his writing). Unlike most of the other productions, Woody Allen’s films have no rehearsal whatsoever, and every scene is shot on location (no studio shoots).
Bridesmaids
Casting drew strongly from Kristen Wiig’s compatriots at the Groundlings Improv company, and the original script was strongly augmented with rewrites culled from improv rehearsals. These revisions were themselves then altered dramatically in production, where additional improv took place. In essence, the film worked with 3 scripts as a result: two written, and one unwritten. The resulting 1,200,000 feet of film shot is testament to the production’s desire to capture the very brightest moments of performance and storytelling.
Each producer had favorite scenes in their respective film. Some examples:
Jim Burkeparticularly enjoyed when George Clooney’s character in THE DESCENDANTS, Matt King goes into the ancestral family home and opens the curtains, letting in the light, and showing us the family photos, thereby giving himself and us an insight into his place in the family history.
Ceán Chaffinwas deeply impressed with the final scene in THE GIRL WITH THE DRAGON TATTOO, whenRooney Mara’s character, Lisbeth Salanader, realizes some important truths, and the actress silently shows everything going on in Lisbeth’s mind, in that painful moment.
Brunson Green’s favorite scene inTHE HELPwas at the end, where the main character is about to walk into the room to be fired and confront Hilly.
Graham King’sfavorite moment in HUGOwas when the scholar, Rene Tabard, goes to George Méliès’ apartment and screens the film for his wife.
Grant Heslovwas struck most by the restaurant kitchen confrontation scene between Ryan and George in THE IDES OF MARCH
From an acting perspective, Brad Pitt especially enjoyed the trading scene in MONEYBALL
Two particularly telling comments came from Mr. Spielberg. In response to a question as to whether any of the producers would now consider shooting a silent film, given the success of THE ARTIST, Spielberg admitted his surprise and delight at that film’s success, saying “I didn’t think silent film was possible in the 21st century, until The Artist” – testament to the fact that we never need lose opportunities for learning, no matter our experience. Later, when asked what he looked for in submissions, Spielberg strongly decried any notion that writers should submit supporting materials (Sizzle reels, previz, storyboards) when pitching their work. Spielberg asked that he and his fellow producers be given enough credit to fill in the gaps with their own imaginations, which would always be far superior to whatever one might supply in the way of pre-visualizations.
When compared to this evening’s upcoming glitzy and impersonal gala affair, attended by thousands, I think I and my peers got the better part of the deal, as we spent a relaxed morning in the presence of some very talented and unquestionably devoted stewards of creative storytelling.
Moderator:
Gary Lucchesi (President, Lakeshore Entertainment)
Panelists:
Thomas Langmann for THE ARTIST
Barry Mendelfor BRIDESMAIDS
Jim Burkefor THE DESCENDANTS
Ceán Chaffinfor THE GIRL WITH THE DRAGON TATTOO
Brunson Greenfor THE HELP
Graham Kingfor HUGO
Grant Heslovfor THE IDES OF MARCH
Letty Aronsonfor MIDNIGHT IN PARIS
Brad Pitt for MONEYBALL (Producers Michael De Luca and Rachael Horovitz were also in attendance)
Steven Spielberg for WAR HORSE(Producer Kathleen Kennedy was also in attendance)
I was recently interviewed on a nationally syndicated radio talk show, and we ended up chatting about Facebook, Twitter, and other social engagement oppportunities. Here below is the audio of that interview:
Twitter is in the midst of launching a complete redesign of its service, which will either – once and for all – clarify the purpose of this trend in our personal and business lives…or – once again – confuse most of us as to why everyone is so excitedly asking us to “follow” one another.
Despite my consistent use of the service, I grew frustrated with the Twittersphere nearly 3 years ago. Indeed, my very first tweet was a cynical jab at the concept: “To tweet to who? The owlish academic in me wants to understand the long term value in this app…so far not seeing it, but give me some time”…
My criticism waned a little as I developed a set of principles to follow, in the case of my own use. I would not tweet content, unless (with the exception of conversations) it was informative, inspiring, challenging, educational, enlightening, or empowering. I still remained ambivalent, though, due to the widespread practice of most Twits (I use the term in both its connotations) to ignore the content of Twitter feeds, and focus instead on the volume of their followers. In the absence of clearly digestible value, Twitter has grown to become a points scoring mechanism, whereby users randomly follow as many account holders as possible, in the expectation that those strangers will immediately follow them back. If this convention is not slavishly honored, the initial outreach is unceremoniously rescinded, and the fishing expedition continues. As a result, it is not uncommon to see mundane twitter accounts followed by tens of thousands of other users, simply due to the fact that those users are returning the favor of an initial “follow”. Nobody bothers to read each other’s tweets, and nobody has any idea, in truth, what the final objective of this scavenger hunt may be, but the primitive desire to amass more than our neighbor continues.
The new Twitter incorporates some changes that might encourage the Twitterverse to grow up a little, and find a truly valuable purpose in the platform. There’s no denying that Twitter has been an extraordinary tool in geopolitical change making. The Arab Spring, Russian protests, and Occupy movements are testament to the fact that this cannot be laughed off as little more than a mindless time suck. However, the value of Twitter in our everyday lives is still in flux. Is it a news broadcasting channel? Is it an infosource? Is it a multidirectional conversational “egosystem”? Opinions and articles abound, but clear direction has remained conspicuously absent, until now.
The new Twitter, as it rolls out, proposes to move its user base more in to the conversational ecosystem, in which only some have indulged, to date. Embedded Tweets will now become multifunctional media sparks, transportable and interactive as never before. The “#Discover” tab will encourage a degree of exploration and interaction heretofore ignored (or, if you’re feeling charitable, unseen). The “@Connect” tab, while still somewhat encouraging of self-absorbed grandstanding, will also open the door to less self-centered time-sensitive call-and-response interactions between accounts. Add to all this the new “Brand pages”, and you now have a brand positioning framework more akin to Google+ and Facebook…
Do you use Twitter? What do you like about it? What frustrates you still? Have you been switched over to the new UX, yet?
This is the 2009 album (considered her best, to date) from a songstress I recently discovered (her cover of Gotye's "Somebody I used to Know" is one of my newest faves):
Everybody
This one is going to take some work to appreciate fully, and that's how great music should be. It's been a while since a truly great and challenging contemporary musician has stepped forth. With "The ArchAndroid", Janelle Monáe picks up the legacies of Messrs. Brown, Prince, Jackson et al, and serves notice upon us that it is perhaps no longer a "Man's Man's World"!
SocialEyes is a social video service ("Skype for Facebook" with an extra value add), currently in beta, that instantly connects you to your friends and to groups of people who share your interests. Created by the founders of Real Networks, this
You can access SocialEyes at www.socialeyes.com and apps.facebook.com/socialeyes. The service also has a "desktop notifier, that keeps you logged in without the need of a browser.
"the first and only Twitter Follow Management with stats..."
All I know is that I can manage the value of my Twitter community very efficiently with this tool (currently in Beta). I'm not interested in being followed by thousands, but in knowing that my feed is actually providing some degree of value to its readers, and that I am engaging in a mutually beneficial exchange of data streams between my world, and the worlds inhabited by a few exceedingly well placed counterparts. Tweepi helps.