Nicholas de Wolff

iOS MOBILE APPS FOR MEDIA & ENTERTAINMENT PRODUCTION PERSONNEL

The following list was compiled by PGA New Media Council member, Susan Zwerman. It’s meant to be a work-in-progress, and comments and suggestions are welcomed:

AccuWeather ver 2.0: http://itunes.apple.com/us/app/accuweather-for-iphone/id300048137?mt=8
Gives video forecasts as well as accurate weather information. Can email weather report directly through your iPhone or iPad. (Free)
Action Log: http://itunes.apple.com/us/app/action-log/id316992969?mt=8
Action Log is a film and television-logging tool, designed for use on location or in a studio with up to 25 recording devices. At the touch of a button the logging system keeps track of all reel names and time codes for each recorded piece of action. For iPhone or iPad. (Free)
Align of Sight: http://itunes.apple.com/us/app/align-of-sight/id385134018?mt=8
For Precision Photography, Visual Effects, Match-Moving and Location Scouting. Record and log any view vector in space & time and align live camera angles to previously recorded Lines-Of-Sight and specific sun direction. Used as a digital level on a camera. For iPhone or iPad ($14.99)
Artemis: http://itunes.apple.com/us/app/artemis-directors-viewfinder/id324917457?mt=8
A Digital Directors viewfinder. For the iPhone (Free)
Artemis Remote for the iPad: http://itunes.apple.com/us/app/artemis-remote-for-iPad/id372459098?mt=8
Directors Viewfinder and Remote – Use your iPhone 4 camera as a director’s viewfinder to plan out shots, and feed that information over Wi-Fi to your iPad. You can select the lens size, ratio, etc. For iPad. ($4.99)
Aspect Ratio Calculator: http://itunes.apple.com/us/app/aspect-ratio-calc/id423170814?mt=8
Calculates video aspect ratios and pixel dimensions. Presets are provided for common formats. Results can be copied to the clipboard or emailed. For iPhone and iPad. ($1.99)
CamCard: http://itunes.apple.com/us/app/camcard-lite-business-card/id355472887?mt=8
Scans and reads business cards and convert to contacts. Can save contact information in Card Holder or iPhone Address Book. For iPhone or iPad. (Free)
Camera for iPad: http://itunes.apple.com/us/app/camera-for-ipad/id366129244?mt=8
Add a camera to your iPad – wirelessly. Easily connects any two devices to send the camera from one to the other. Simply start Camera for iPad on both devices, and they’ll find each other. Your iPad shows what the iPhone’s camera sees. For iPhone and iPad. ($.99)
Celtx Shots: http://itunes.apple.com/us/app/celtx-shots/id467370902?mt=8
Celtx Shots is the first app with both storyboarding and set blocking built-in, so you can create storyboards and block scenes in the field or on the set. For iPhone or iPad. (Free)
Storyboard Composer: http://itunes.apple.com/us/app/storyboard-composer/id325697961?mt=8
Storyboard Composer is a mobile story boarding application. No need to know how to draw. This app allows you to portray your vision to others in an easy controllable format. Designed for Directors, Directors of Photography, Producers, Writers, Animators, Art Directors, film students and anyone who wants to be able to visualize their story. For iPhone or iPad. ($14.99)
Daylight: http://itunes.apple.com/us/app/daylight/id324528814?mt=8
Display sunrise and sunset times for your current location, at any point in time. For iPhone or iPad. (Free)
Documents To Go: (Office Suite) http://itunes.apple.com/us/app/documents-to-go-office-suite/id317117961?mt=8
Enables you to read and edit Word and Excel docs from your computer on your iPhone i.e. call sheet. This app can also view PowerPoint, PDF, iWork, Text, and RTF files on both the iPad and iPhone. Need to sync iPhone or iPad with a Desktop application to use. ($9.99)
Documents 2: http://itunes.apple.com/us/app/documents-2-free-spreadsheet/id314894105?mt=8
Mobile app that lets you see any type of office document on your iPhone, iPad Also can transfer documents to/from your iPhone via FTP or Wi-Fi, Google, or Email. For iPhone or iPad. (Free)
Doddle Premium: http://www.doddleme.com/registration/pro-preview/
Create Digital Interactive Call Sheets right on your iPhone. Auto Update Weather and Emergency info for your shoot by just adding a location and date. Get interactive Map locations by adding in set address. If you make a change on your call sheet you can send out an email notifying the crew in your address book of that change. For iPhone and iPad. ($2.99)
DOFMaster: http://www.dofmaster.com/iPhone.html
Calculates depth of field for photography and provides best f-stop and lens combination. For iPhone. ($1.99)
Dropbox: http://www.dropbox.com/iPhoneapp or http://www.dropbox.com/ipad
Save and restore documents for moving to multiple devices. Bring your files with you wherever you go. Easy to upload photos and videos to Dropbox. For iPhone or iPad. (Free)
Easy Release: http://itunes.apple.com/us/app/easy-release-model-release/id360835268?mt=8
Create release forms for talent. There are pre-canned release forms to get you started, simply fill in the blanks, save the form as a template. Hand this form to your talent so they can sign with their finger. Email the PDF to them and yourself. For iPhone and iPad. ($9.99)
Movie Slate: http://www.movie-slate.com/
All-in-one digital slate, clapperboard, shot log, and notepad are used for film, TV, documentaries, music videos, and interviews. It records both for the iPhone and iPad all of a shot’s production, GPS location, and time code data and is stored to the MovieSlate’s shot log history. This report can then be exported and viewed on your web browser. iPhone 3GS or later and iPad ($24.99)
Evernote: http://itunes.apple.com/us/app/evernote/id281796108?mt=8
Evernote is an easy-to-use list maker that helps you remember everything across all of the devices you use. This app lets you take notes, capture photos, create to-do lists, record voice reminders–and makes these notes completely searchable. For iPhone and iPad. (Free)
Fahrenheit: http://itunes.apple.com/us/app/fahrenheit-weather-temperature/id426939660?mt=8
A weather application that uses latest technology to show the current temperature of any location. This app gives you detailed weather information of unlimited cities worldwide with an easy-to-use user interface. For iPhone and iPad. ($.99)
FDX Reader: http://itunes.apple.com/us/app/fdx-reader/id437362569?mt=8
Reader for Final Draft scripts for the iPhone and iPad. Final Draft uses a file format called .FDX. If you’ve ever attempted to open one of these files on iOS, you get raw XML. With FDX you get a screenplay nicely formatted. For iPhone and iPad. ($7.99)
FiLMiC Pro: http://itunes.apple.com/us/app/filmic-pro/id436577167?mt=8
This app gives you more control over iPhone movie recording. It turns your iPhone into a fullfeatured HD video camera. For iPhone and iPad. ($3.99)
Flashlight: http://itunes.apple.com/us/app/flashlight-o/id381471023?mt=8
Works like a real small flashlight. This app helps you see when it’s night exterior inside or outside. For iPhone and iPad. (Free)
Final Draft Reader: http://www.finaldraft.com/products/mobile/reader/
It precisely displays production scripts, including colored production pages exactly as they appear on your desktop – perfectly paginated. You can make script notes directly on your iPad. For iPad only. ($19.99)
Flipboard: http://itunes.apple.com/us/app/flipboard/id358801284?mt=8
For both the iPhone and iPad. Internet access to web, Facebook, Twitter, Linkedin, etc. Creates a personalized magazine out from shared files. For iPhone and iPad. (Free)
Genius Scan: PDF Scanner http://itunes.apple.com/us/app/genius-scan-pdf-scanner/id377672876?mt=8
Genius Scan turns your iPhone into a pocket scanner. It enables you to quickly scan documents on the go and email the scans as JPEG or PDF. For iPhone and iPad. (Free)
GoodReader for iPhone: http://itunes.apple.com/us/app/goodreader-for-iPhone/id306277111?mt=8
PDF reader with advanced reading. You can read virtually anything, anywhere: books, movies, maps, and pictures. The ability to mark-up PDFs opens up new doors to GoodReader users who can now use typewriter text boxes, sticky notes, lines, arrows, and freehand drawings on top of a PDF file. This version is free for iPhone. For iPad, get “GoodReader for iPad.” ($4.99)
GPS by TeleNav: http://itunes.apple.com/us/app/gps-by-telenav/id414817704?mt=8
3D maps with live traffic flow, turn-by-turn directions with manual re-routing, local search, and cheap gas price finder. Now with Facebook integration & enhanced map discovery. For iPhone 3GS, 4, 3G and iPad and iPad 2. (Free)
Group Email: http://itunes.apple.com/us/app/groups/id407855546?mt=8
Create and manage groups of contacts . Email a group of contacts as well as attach images to your group emails. For iPhone and iPad. (Free)
Group Text: (textPlus free texting & group text): http://itunes.apple.com/us/app/textplus-free-texting-+-group/id314487667?mt=8
Can use this app for free texting. . For iPhone and iPad. (Free)
Helios Sun Position Calculator: http://itunes.apple.com/us/app/helios-sun-position-calculator/id311648870?mt=8
This application graphically predicts the path of the sun from dusk to dawn, on any given day, in any given place. Good for Cinematographers and Still Photographers working in natural light. For iPhone and iPad. ($29.99)
iAnnotate PDF: http://itunes.apple.com/us/app/iannotate-pdf/id363998953?mt=8
This app has a fully searchable library to organize, find, and read your documents. It is used for taking notes on lecture slides, annotating important business documents, revising screenplays, and grading papers. For iPad only. ($9.99)
IMDB: http://www.imdb.com/apps/iPhone/
Specifically for IMDB access on the web. Internet industry database – large connection of movie, TV and celebrity info. For iPhone and iPad (Free)
iMovie: http://itunes.apple.com/us/app/imovie/id377298193?mt=8
Great way to do simple edits on the go. For iPhone and iPad. ($4.99)
Instapaper: http://itunes.apple.com/us/app/instapaper/id288545208?mt=8
Save and access web pages to read later when you are without Internet connection. For iPhone and iPad ($4.99)
iSlate: http://itunes.apple.com/us/app/islate/id295464071?mt=8
Simple slate and easy to use as a portable digital clapper board. Digital Slate for Red Camera. For iPhone and iPad. ($2.99)
iVideoCamera: http://itunes.apple.com/app/ivideocamera-record-video/id332166209?mt=8
Now with tons of effects, this app records videos for older iPhones as well. For iPhone and iPad. ($.99)
LightMeter: http://itunes.apple.com/us/app/light-meter-free/id410228606?mt=8
A simple light meter. For iPhone and iPad (Free)
LiVE-PLAY: http://lightiron.com/services/live-play
Automated Video Playback – LiVE PLAY is a streaming playback tool designed to enhance existing VTR setups on the set. With LiVE PLAY, iPads can be used as monitor for serving an unlimited amount of clips and are completely secure. It lets users view, share, and comment on clips from their LiVE PLAY-equipped iPads. For iPad. ($34.99)
MapQuest 4 Mobile: http://www.macworld.com/appguide/app.html?id=113106&expand=true
FREE voice-guided, turn-by-turn, GPS navigation for iPhone. Your phone speaks to you, telling you when to make a turn. Easily search with a single click while on the go. Stay on schedule by checking live traffic en route. If you take a wrong turn, MapQuest re-routes you automatically. For iPhone and iPad. (Free)
MatchLens: http://itunes.apple.com/app/matchlens/id315223799?mt=8
This calculator computes the equivalent lens focal length to produce the same field of view between two cameras with different aperture/sensor sizes. It will do a “Match Lens” calculation, and produce the closest equivalent angle of view lens, in millimeters, for both vertical and horizontal frames. For iPhone and iPad. ($9.99)
Movie Magic Scheduling To Go for the iPad http://itunes.apple.com/us/app/movie-magic-scheduling-to-go/id428072812?mt=8
It only works with a file that is created in Movie Magic Scheduling 5 and can make changes with the touch of a screen. Movie Magic Scheduling To Go provides a mobile companion solution to the desktop version of Movie Magic Scheduling 5 for use on the iPad. It allows you to make changes to your existing schedule in a simple touch screen interface. For iPad. ($29.99)
Movie Slate http://www.movie-slate.com/
With each closing of the clapper, MovieSlate automatically creates a shot log with your production, timecode, notes, and even the GPS location of your shots. For iPad and iPhone. ($24.99)
MyRadar: http://itunes.apple.com/us/app/myradar-weather-radar/id322439990?mt=8
Regular MyRadar is free and fast and easy to use. It displays animated weather radar around your current location, allowing you to quickly see weather patterns coming your way. For iPhone and iPad. (Free)
Notes to Store: http://itunes.apple.com/us/app/notes-to-store/id364740608?mt=8
Create notebooks of unlimited pages, type text, import photos, draw on photos or sketch. For iPad. ($1.99)
OmniFocus http://www.omnigroup.com/products/omnifocus-iPad
This is a personal task management app. Keep it all up-to-date and take your to-dos to-in sync your devices. Categorize your tasks by the tool, resource, or location required to accomplish them. For iPhone ($19.99) and for iPad. ($39.99)
OmniGraffle: http://itunes.apple.com/us/app/omnigraffle/id363225984?mt=8
Your iPad touch screen is your canvas. It provides stencils full of objects for you to drag and drop, and it can magically organize diagrams so your ideas come to life. For iPad. ($49.99)
Orchestra to-do: http://itunes.apple.com/us/app/orchestra-to-do/id459356540?mt=8
This app is a list maker. If everyone has it, you can send out and update to-do lists wirelessly. Good for inter-department app. Automatically syncs between the iPhone and the web for home/work, and can also create tasks with your voice. For iPhone and iPad. (Free)
PanaScout –Lite: http://itunes.apple.com/us/app/panascout-lite/id371341478?mt=8
For crews scouting locations. This app shows the Cinematographer’s viewpoint from a professional cinema camera. For iPhone and iPad. (Free)
PanaScout: http://itunes.apple.com/us/app/panascout/id361799671?mt=8
This is more advanced than the Lite version, with zoom issue resolved. It allows you to upload your stills to Final Cut. 360 Panorama – take location stills and stitch them together. For iPhone and iPad. ($9.99)
pCAM Film+Digital Calculator: http://www.davideubank.com/Good_Focus/pCAM_Film+Digital_Calculator.html
Many features for Cinematographers, Camera Operators & Assistants, VFX Supervisors, Script Supervisors and Still Photographers. Calculates Depth of Field, Splits-Aperture Finder, Field of View (Picture Sizes), Focal Length, Exposure, and Running Time Length. For iPhone and iPad. ($29.99)
PDF Expert: http://itunes.apple.com/us/app/pdf-expert-fill-forms annotate/id393316844?mt=8
It lets you read and annotate PDF documents, highlight text, make notes, draw with your finger and save these changes being compatible with Preview and Adobe Acrobat. This iPad application can fill in PDF forms. You can get PDF files from desktop computers, email attachments, documents on Dropbox, MobileMe iDisk, GoogleDocs etc. For iPad ($9.99)
PDF Reader: http://itunes.apple.com/us/app/pdf-reader-iPad-edition/id367816156?mt=8
PDF Reader can read all PDF files. For iPhone ($1.99) and iPad. ($4.99)
Phone Aid: http://itunes.apple.com/us/app/phone-aid/id293019352?mt=8
Phone Aid contains real-time slideshows with clear, intuitive pictures and voice instructions that guide you through CPR and how to help a choking person when it really happens. You will also get an A-Z First Aid guide where you will find simple, straight forward advice on how to initially handle the most common injuries and illnesses such as, drowning, convulsions, burn injury, snake bite etc. For iPhone and iPad. ($1.99)
Photosynth: http://itunes.apple.com/us/app/photosynth/id430065256?mt=8
This is a panorama creation app that makes it easy to capture and share interactive panoramas of the locations. Photosynth allows you to make a panorama from left to right, as well as up and down, thus enabling you to capture a full “sphere” (3D image of the location). For iPhone and iPad. (Free)
PlainText: Dropbox text editing http://itunes.apple.com/us/app/plaintext-dropbox-text-editing/id391254385?mt=8
This app is a simple text edit and allows you to create and organize your documents in folders and sync everything with Dropbox.com. For iPhone and iPad. (Free)
ProPrompter: https://apps.bodelin.com/
The universal app can sync between iPad and iPhone, so you can use your iPhone to remote control the iPad scrolling. For iPhone and iPad. ($9.99)
Rdm+ http://www.rdmplus.com/
Remote desktop for mobiles. This uses your computer on your iPhone if both are running. Works with both PC and MAC. For iPhone and iPad. ($9.99)
ReelDirector: http://itunes.apple.com/us/app/reeldirector/id334366844?mt=8
Video editor that can create and edit movies right on the iPhone/iPad and includes a drag-anddrop timeline. For iPhone and iPad. ($4.99)
Screenplay: http://itunes.apple.com/us/app/screenplay/id322410822?mt=8
Writing scripts index card -write up index cards and group, color them accordingly. For iPhone and iPad. ($4.99)
ShotList -Movie Shoot Planning: http://itunes.apple.com/us/app/shotlist-movie-shoot-planning/id424885833?mt=8
ShotList shows a production stripboard to your mobile device, allowing the planning and tracking of every scene of a shoot as it happens. For iPhone and iPad. ($11.99)
Speedtest: http://itunes.apple.com/us/app/speedtest.net-mobile-speed/id300704847?mt=8
Tests Internet speeds – one tap connection under 30 seconds to find out your upload, download and Ping speeds. For iPhone and iPad. (Free)
Squiggles: http://itunes.apple.com/us/app/squiggles/id284927554?mt=8
This is a paint and image app that can create some sophisticated looking artwork with ease. Take a photo or select an image with your device and then doodle on it. Decorate with many overlay images and special stamp brushes. For iPhone and iPad. ($.99)
Storyboards: http://itunes.apple.com/us/app/storyboards/id392533504?mt=8
Storyboards allows you to create your movie’s storyboard without requiring any drawing ability. Hundreds of characters and props are included inside this library. The free version lets you create up to 2 storyboards of 10 drawings. For iPad. (Free)
Sun Chaser: http://itunes.apple.com/us/app/sun-chaser/id428454778?mt=8
SunChaser is an app to calculate sun’s setting and rising time with the use of iPhone that detects your location. For iPhone and iPad. (Free)
Sun Compass: http://itunes.apple.com/us/app/sun-compass-for-iPad-ipod/id367001553?mt=8
This compass app determines your direction by calculating the current sun position. Sun predictor, less advanced than Helios. For iPhone and iPad. ($.99)
Sunrise Sunset Pro http://itunes.apple.com/us/app/sunrise-sunset-pro/id319184913?mt=8
Displays sunrise/set times, dawn, dusk, solar noon, sun positions throughout the day. For iPhone and iPad. ($1.99)
Sun Seeker: http://itunes.apple.com/us/app/sun-seeker-3d-augmented-reality/id330247123?mt=8
Provides a flat view compass and an augmented reality camera 3D view showing the solar path, its hour intervals, its winter and summer solstice paths, and rise and set times. Find the sun, even when it is hidden by clouds. For iPhone and iPad. ($4.99)
The Weather Channel®: http://itunes.apple.com/us/app/the-weather-channel-for-ipad/id364252504?mt=8
The Weather Channel for iPad combines interactive imagery with weather report. Full screen, customizable weather maps. M Push alerts for severe weather in your selected location. For iPad only (Free)
Time Card 24 Converter http://itunes.apple.com/us/app/time-converter-24-free/id444154009?mt=8
A simple application to help convert clock times into decimal times. For example: 6:42pm to 18.7. This helps in filling out time cards. For iPhone and iPad. (Free)
To-Do-List: http://itunes.apple.com/us/app/to-do-list/id293837047?mt=8
Keeps track of all your to-do lists. For iPhone and iPad. ($.99)
Toodledo: http://itunes.apple.com/us/app/toodledo-to-do-list/id292755387?mt=8
Toodledo is a powerful task and note manager. It will help organize your to-do list and notes. For iPhone and iPad. ($2.99)
Voxer Walkie-Talkie PPT http://itunes.apple.com/us/app/voxer-walkie-talkie-ptt/id377304531?mt=8
This is a Walkie Talkie app for smartphones. Send instant audio, text, photo and location messages to your crew. Your crew can listen to your message if their app is turned on and they are on Wi-Fi otherwise it will save like a text message for you to hear later. For iPhone and iPad. (Free)
WiFi HD: http://itunes.apple.com/us/app/wifi-hd-free-wireless-hard/id311170976?mt=8
Turn your iPhone into a wireless, mobile external hard drive. Works over any WiFi connection. You can now share, copy, and backup your files to and from your PC or Mac. For iPhone and iPad. (Free)
WritePad: http://itunes.apple.com/us/app/writepad/id293033512?mt=8
WritePad is a text editor that utilizes advanced handwriting recognition input for the English language as well as iPhone keyboard for text entry, and includes spell checker, context analyzer, and standard editing operations such as copy, cut, paste, etc. For iPhone and IPad. ($3.99)
WriteRoom: http://itunes.apple.com/us/app/writeroom/id288751446?mt=8
This app allows you to write text files in focus. It uses Dropbox to keep your documents organized. Also has ability to use fonts & colors. For iPhone and iPad. ($4.99)

If you have a suggestion for an app that would be useful to production personnel, or any other feedback, Susan Zwerman will be updating this list regularly, in PDF form. For details, email her at: susanzwerman@gmail.com

Nobody’s Fool

One of the many April Fools joke postings yesterday involved a claim that Nielsen was abandoning “People Meters”, in favor of tracking audience viewing data via Facebook and Twitter posts. I fell for it long enough to think about the implications of such a move. Once I cottoned on to the ruse, however, I was left with an abiding sense that an issue had been revisited that was far from resolved: Nielsen is obsolete as a tracking mechanism, and the various solutions they and their network clientele keep percolating are almost as useless as the systems currently in place.

The technology exists today to unobtrusively track actual viewing patterns and numbers, so why is Nielsen *still* extrapolating data points from subjective choice-oriented pools, such as Nilesen “diaries” and set-top boxes? Opting for social network-oriented insights would be just as subjective – even without taking in to consideration the fact that there is a drop off in usage of such apps as IntoNow, as people make a move toward reclaiming their privacy.

If IP is being patented to monetize ad-skipping, why not reward opt-ins for more granular tracking? One possible scenario: if viewers let DVR and live viewing data be recovered through hardware-embedded tracking tools, on an anonymous basis, they could get a certain number of credits. Increasing the demographic visibility of their viewership might increase their credits, and credits could be used toward ad skipping, network related bonus content, and so many other rewards. The possibilities are endless, and yet Nielsen et al prefer to look only as far as the end of their noses. The transparency of many social platforms is testament that consumers don’t mind sharing their habits, while the backlash against many misguided practices of some social endeavors (“Beacon” anyone?) demonstrates user commitment to managing their transparency, and not having it co-opted or monetized by third parties, without their consent. It’s not even about consent, in fact. It’s about collaboration. The consumer has begun to see that their life has value – monetary value – and they are willing to share that value, so long as the returns are worth the exposure. For some, it’s as simple as badges and upvotes, for others it’s perks and awards. If Nielsen gets smart, it will recognize this trend, and add a seat at the partnership table for the end-user, and audience tracking in the 21^st century could become a much more accurate, rewarding, and dare I say enjoyable exercise for all involved.

Breakfast With Champions – Nominees Breakfast for the Producers Guild Awards

As a co-founder of the New Media Council, and long-time member of the Producers Guild of America, I am sometimes able to benefit from certain opportunities that make me fall in love with filmmaking all over again. This morning was one such opportunity.

Tonight marks the 23rd annual Producers Guild Awards, precursor and controversial bellwether to the Oscars. A select few members of the Guild are able to attend a breakfast gathering, on the morning of these awards, to meet and hear from the Producers of each nominated Feature Film. It is an intimate and convivial get-together, and always illuminating.

Despite the assumption by many that Producers focus mostly on the fiscal value of a film, when pondering which box to mark on their voting ballot, the conversations this morning were only momentarily focused on financing, and largely concerned with the creative and operational processes of bringing a story to the screen.

What struck me almost immediately was how collaborative and connected to one another these producers had been on these projects, during the past year: Kathleen Kennedy was the impetus for both War Horse and The Girl With The Dragon Tattoo, while Spielberg catalyzed the realization of The Help. Amusingly, everyone on the panel credited Brad Pitt with some aspect of their production, even though the actor/producer was unusually restrained in his remarks re. friend George Clooney (strongly involved in two of the nominated films).

Even more compelling were some nuggets of wisdom and info dropped by individuals, during the course of conversation:

War Horse

When asked why he made the movie, Spielberg answered “I made the movie to get to that scene where the German and the Geordie free the horse from the barbed wire together”.

8 horses were used to portray the central character in the film, with two (“Abraham” and “Finder”) carrying the heavy acting load.

Midnight In Paris

Woody Allen‘s scripts are largely devoid of stage directions. Just dialogue. The visual is only revealed during production. More startling still is the fact that Woody Allen doesn’t write a thing until full financing is obtained. This film was made for $18 Million, all of which was obtained on his name alone. Only when the money was in the proverbial bank did Mr. Allen begin the scriptwriting process, which consisted of well over a month of “just thinking”, followed by 4 short weeks of longhand writing, and then typing up the draft (which Woody had to do himself, since nobody else could read his writing). Unlike most of the other productions, Woody Allen’s films have no rehearsal whatsoever, and every scene is shot on location (no studio shoots).

Bridesmaids

Casting drew strongly from Kristen Wiig’s compatriots at the Groundlings Improv company, and the original script was strongly augmented with rewrites culled from improv rehearsals. These revisions were themselves then altered dramatically in production, where additional improv took place. In essence, the film worked with 3 scripts as a result: two written, and one unwritten. The resulting 1,200,000 feet of film shot is testament to the production’s desire to capture the very brightest moments of performance and storytelling.

Each producer had favorite scenes in their respective film. Some examples:

• Jim Burke particularly enjoyed when George Clooney’s character in THE DESCENDANTS, Matt King goes into the ancestral family home and opens the curtains, letting in the light, and showing us the family photos, thereby giving himself and us an insight into his place in the family history.
• Ceán Chaffin was deeply impressed with the final scene in THE GIRL WITH THE DRAGON TATTOO, when Rooney Mara’s character, Lisbeth Salanader, realizes some important truths, and the actress silently shows everything going on in Lisbeth’s mind, in that painful moment.
• Brunson Green’s favorite scene in THE HELP was at the end, where the main character is about to walk into the room to be fired and confront Hilly.
• Graham King’s favorite moment in HUGO was when the scholar, Rene Tabard, goes to George Méliès’ apartment and screens the film for his wife.
• Grant Heslov was struck most by the restaurant kitchen confrontation scene between Ryan and George in THE IDES OF MARCH
• From an acting perspective, Brad Pitt especially enjoyed the trading scene in MONEYBALL

Two particularly telling comments came from Mr. Spielberg. In response to a question as to whether any of the producers would now consider shooting a silent film, given the success of THE ARTIST, Spielberg admitted his surprise and delight at that film’s success, saying “I didn’t think silent film was possible in the 21st century, until The Artist” – testament to the fact that we never need lose opportunities for learning, no matter our experience.  Later, when asked what he looked for in submissions, Spielberg strongly decried any notion that writers should submit supporting materials (Sizzle reels, previz, storyboards) when pitching their work. Spielberg asked that he and his fellow producers be given enough credit to fill in the gaps with their own imaginations, which would always be far superior to whatever one might supply in the way of pre-visualizations.

When compared to this evening’s upcoming glitzy and impersonal gala affair, attended by thousands, I think I and my peers got the better part of the deal, as we spent a relaxed morning in the presence of some very talented and unquestionably devoted stewards of creative storytelling.

Moderator:

• Gary Lucchesi (President, Lakeshore Entertainment)

Panelists:

• Thomas Langmann for THE ARTIST
• Barry Mendel for BRIDESMAIDS
• Jim Burke for THE DESCENDANTS
• Ceán Chaffin for THE GIRL WITH THE DRAGON TATTOO
• Brunson Green for THE HELP
• Graham King for HUGO
• Grant Heslov for THE IDES OF MARCH
• Letty Aronson for MIDNIGHT IN PARIS
• Brad Pitt for MONEYBALL (Producers  Michael De Luca and Rachael Horovitz were also in attendance)
• Steven Spielberg for WAR HORSE (Producer Kathleen Kennedy was also in attendance)

In Case You Missed It… (1st in a series)

It’s been almost 2 months since I last posted anything here (I have no interest in blogging for the sake of blogging, and I’m sure you have no interest in reading self-important daily ruminations on the state of social media, society, or Steve Jobs (RIP)).

So, beginning today, I will be compiling – in keeping with my commitment to publish only when I have something worth publishing – recaps of a few of the various things I’ve discovered and shared during the previous month, be it via Twitter, Facebook, Google+, LinkedIn, or whatever other social brand made sense in the moment. I won’t be recapping ALL my postings and discoveries (saints preserve us!), but only those that I think still merit review, one month later. As noted above, I’ll be calling this regular entry “In Case You Missed It…”, and I welcome any feedback or input, as always.  So, without further ado, here is the first installment of this regular publication for your enjoyment, information, education, and perhaps even inspiration! (this first posting will cover a little more than the past month, just to get us all caught up):

Fundraising in the New Economy

As many of my readers know, I have been dedicating a big chunk the past couple of years to supporting a small variety of Not-for-Profit Organizations, helping them to strengthen their brand and financial positions during this economic downturn. Many NPOs are still wasting a lot of time pursuing legacy funding channels that no longer deliver the returns they used to bring, at the cost of other revenue generation opportunities. Crowd-sourced and network funding channels abound now, including ProFounder, Kickstarter, Razoo and others. NPOs need to have a dedicated New Funding Director, well-versed in emerging channels (from text-based through Social, and beyond). In July, Mashable published an interesting article offering some tips for NPO mobile campaigning. It was a little simplistic, but a great way to help NPOs start thinking along the right lines.

21st Century Pop

Later that month, I came across a very compelling site called thesixtyone, where “new artists make music and listeners decide what’s good”. Why it took me so long to check this out, I’ll never know, but I’m glad to see it still going strong, and now there’s another offering, exclusively for the iPad, called Aweditorium, which is similar, yet just different enough to make it worth looking in to. While Spotify, Grooveshark, Pandora, Mog, and Last.fm are hands down the best purveyors of mainstream music over the Net, it’s great to see intuitive, crowdsourced music experience such as thesixtyone and Aweditorium. Kudos to Reid Hoffman and Joi Ito for supporting such truly grassroots musical adventures as thesixtyone, and I’m eager to see what sort of UX the iCloud offers, to mitigate the lousy experience that is currently iTunes.

Gee, Plus or Minus

Also in July, I began using Google+, and I must say I am still struggling to adopt it as a preferred social network. I can see some potential, but it is so specifically reliant on the input of users that one wonders whether “we” are enough to ensure ongoing and continually expanding usefulness, beyond the fraternity of early adopters. This network may end up becoming little more than a glorified techie BBS, which is not a bad thing, just not perhaps what everyone had initially expected or hoped for. I yearn to be proven wrong, though, and see this evolve into a deeply enriching experience for a vast cross section of society, sufficiently differentiated from Facebook that it moves beyond being an “either/or” proposition. Other niche social networks are growing strongly, meanwhile, including photography site 500px (an alternative the increasingly messy deviantart).

Incremental Change

I’ve been waging a more than 2-year battle to have a major residential street in Burbank calmed sufficiently to allow for bicycle lanes, a center turn lane, upgraded signalization, and safe pedestrian crossing experiences. Just a few weeks ago, with the help of many friends and professionals, the battle was won, and we now move on to the next street, in this war (at least, that’s what it often feels like!) to make urban living safer, more manageable, and more sustainable.  My efforts were quiet and diplomatic (for the most part!), compared to the impressive actions of people like Vilnius Mayor A.Zuokas and Ed Begley Jr. While we may not all have the discipline, vision, & commitment of Mr. Begley, wouldn’t it be nice if we each moved an inch further in the right direction? Standing still on the issue of sustainable living isn’t going to improve air quality, landfill overflows, urban heat island effect, & the host of other challenges bearing down on us. Whoever said “ignorance is bliss” was a fool (Hello, Thomas Gray). As for the tank stunt: Is it all staged? Perhaps. Does it momentarily fulfill the fondest wish of many a pedestrian, bus driver, and bicyclist around the world? Definitely. The streets of our urban areas are supposed to be for ALL forms of transportation, not just cars. Does your city have the legislative tank commanders necessary to ensure you are able to get around a cleaner city, however you wish, and safely? Think about it, and maybe one or two more of us can act upon it…

In the meantime, while we fight to make our cities more inclusive, many among us are worrying about how our privacy is becoming compromised online. Facebook is certainly not to blame, if you are stupid enough to post drunken/naked/awkward pictures of yourself on your profile, or otherwise upload sensitive data. That’s all on you, bubba! However, your phone number, real estate records, social content, name, age, and so much more are easy to find on the web, regardless of your Facebook activity, thanks to a host of sites you may never have heard of. Clearing the data can be a bit of a headache, but finding all those sites has recently become a whole lot easier: Unlistmy.info is a free service that helps you identify those sites and remove your personal data from their records.

Speaking of records, the results from the 2010 Census came online last month, and they’re interesting to wander around, during your coffee/tea break… (some intriguing questions arise, such as: if all designated races experienced population decline in Los Angeles County, how did the overall population in that California county INCREASE by nearly 300,000 people?). Explore the 2010 Census here (courtesy of CNN).

Keeping The Fire Alight

More recently, Lots of new techie toys have been coming out: iPhone 4S, Amazon Fire Tablet, Kindle Touch, Samsung Galaxy S2 for T-Mobile and others, a couple of new Android tablets, some more Windows phones…Despite high unemployment, and a gasping economy, our almost unconscious desire for the newest consumer tech bauble remains as healthy as ever. At some point we will suddenly wake up to the fact that all these devices are nothing more than toys or tools, and as such need to be either mightily entertaining or extremely useful…and, in both cases, firmly reliable.

Let that day come sooner, rather than later.

The speculation surrounding the Amazon tablet release was perhaps the most feverish, with claims being made that the “Fire” was a potential “iPad Killer”. Despite press reports supporting this dramatic contention, nothing could be further from the truth, IMHO. As I said in one of my Quora answers last month, the new device from Amazon certainly opens up the market, with a price point ($199) that will bring fiscal fence-sitters into the arena. However, the feature-set on the Kindle Fire make it more like a juiced-up iPod Touch than an iPad. The Kindle Fire has no camera, no microphone, and no 3G connectivity. That said, it has two things that the iPad does not have: Amazon Silk and a vast content library (remember, Apps are not content, per se, they are applications!). The iPad will continue (for now) to dominate the upper end of the tablet market, with its dominant app collection and solid device performance. Meanwhile, the Kindle Fire represents a price and feature challenge to the rest of the market (Android and Windows8, essentially). To go out on a limb, just for the heck of it, I’m going to predict that that Kindle Fire does very well in the short term, while the new Kindle e-readers do astonishingly well, once they come out in November. Amazon may well take 2nd place in tablet market share, but not for long, as I have to believe the release of Microsoft’s Windows 8 tablet OS will force the Android Tablets and applications communities to mature at an accelerated pace. Amazon will take 1st place in mobile content delivery, and will keep it, so long as they maintain focus on their existing core capabilities.

I don’t think Mr. Jeff Bezos and Co. are looking to secure early advantage in the tablet race. Their objective is loftier. Amazon is in the multiplatform content delivery market for the long haul, as evidenced by their Kindle ecosystem. While the HTCs, Dells, Samsungs, RIMs, and Motorolas of the world (sorry, HP, but a jailbroken tablet can no longer be considered viable competition) fight it out in their respectively scrappy fashions, Amazon would do well to stick to its proven methodologies: manage and enhance a world-leading library of diverse content; produce competitively priced, robust, yet simple-featured devices; tying it all together with a superior (if still prone to outage) cloud infrastructure,

Market analysts have claimed that everyone who was going to buy a Kindle has already bought one, but the new touchscreen functionality and very affordable price point now position the Kindle e-reader as the only game worth playing in town. The Nook is in serious trouble (trapped between the Kindle Touch and Fire, yet costing almost as much as both combined). Watch for massive sales of this new line of Kindle e-readers, assuming the interface is solid, and the Whispernet deal (free wireless content delivery) stays equally secure.

The Kindle Fire represents a widening of the market for tablet users, not so much a direct challenge to the iPad (although it may convince Apple to lower the price on their current model, and keep it on the market when the next iPad iteration comes out, all depending on whether there is sufficient differentiation between their current model and the next release. Most signs point to this not being the case).

The new line of Kindle e-readers positions Amazon to garner such a massive and insurmountable lead over all other book distributors, digital or otherwise, that the Big 5 publishers are going to have to come back to the table soon, with their tails between their legs. Although Apple’s iBook may have better UI, the Kindle App gives readers a degree of mobility and flexibility that is unmatched.

Amazon is pursuing software and hardware innovations in full support of their core competencies, and the company will prosper mightily as a result. If AWS can reduce outages, and their Cloud infrastructure is able to handle the load that might come to bear when 50 million (or more) tablets and e-readers and other devices call for content at the same time, then Amazon will be the new leading entertainment studio of the 21st century: in charge and in control of distribution more content to more people, in more places, on more devices, than any other entity.

That brings me to the end of September, and I haven’t even mentioned my Twitter postings (tweets). So I’ll just post a few from the beginning of July below, to give you a taste of what you can usually find there! In the meantime, I look forward to next month’s recap and, if you prefer to connect in a more timely fashion, I encourage you to follow my regular (almost daily) tweets on Twitter, and/or my weekly short posts on Facebook.

A few Twitter tweets of note for early July:

• 07/02 – You may be able to video chat on Facebook as soon as next week: Facebook To Unveil Skype-Powered Video Chat Next Week (Mashable)
• 07/06 – Facebook’s new Skype Video Chat feature is apparently crashing a lot of browsers. You might want to wait for v2.0.
• 07/06 – @jtimberlake pls read this article, and take notes, as you and your partners explore how to reboot the MySpace brand: 5 Ways Google+ Could Steal Music Fans From Facebook | Wired
• 07/07 – Disney Friends For Change Games launches: casual games with integrated sustainability education: Disney Friends For Change Games
• 07/08 – Pinterest: If GetGlue and Evernote had a baby, this might be what it looked like: Pinterest
• 07/09 – This crowdsourced Google+ Tips and Tricks manual just keeps on getting better and better: Welcome to Google Docs
• 07/12 – This new tool would have been a gift from heaven, back when I was producing sites for the studios and ad agencies: Boltnet
• 07/13 – While Gen Y may have loved Machinima, I think the current crop of kids is expressing itself more thru GoAnimate: GoAnimate

Who Needs Experts?

As professional reviewers and taste-makers find themselves increasingly marginalized by the aggregate insights and observations of “the crowd”, one wonders whether the demise of printed news may actually be beaten to the punch by the obsolescence of the once-all-powerful critic.

It used to be that we relied on Patricia Wells or Brad A. Johnson to guide us from one fine dining experience to the other. Indeed, reading their restaurant reviews in the Herald Tribune or Angeleno (respectively) represented something of a tasty appetizer, prior to the main experience of visiting an emerging “hot spot” discovered by their renowned palates.

Today, we are far more likely to turn to the legion of self-anointed food critics that live on Yelp, and – by parsing their experiences – so determine our choice of venue.

Of course, this trend is not limited to food: IMDB, Metacritic, and rottentomatoes.com are but a few of the resources available to moviegoers seeking to crowdsource their entertainment choices; a slew of new apps and engines, such as Weddar (location-based, people-powered, social weather reporting) and Fflick (twitter-based movie recommendation engine, recently acquired by Google), to name but a couple, are rapidly making anyone with the inclination a “retail influencer”.

It seems that for every institution, industry, and brand, there’s an app or a site ready to offer up a plethora of user-generated reviews. Amazon’s main value proposition is arguably not so much its products or pricing, but rather the fact that every one of those products is accompanied by a rich diversity of opinions from past shoppers. Groupon and Foursquare give users the opportunity to share “tips” and other product insights, and what’s Facebook if not one big moshpit of “Like/Unlike”? From PCs to software downloads, cars to cancer treatment, the experienced insights of trained professionals or deeply experienced specialists are being usurped, in favor of the massed choir of “fellow shoppers” in whom we prefer to somewhat blindly place our faith – jaded by a glut of advertising, and suspicious of prognosticators that seem less perfectionist and more political…a classic case of “quantity trumps quality”, based on the assumption that a sufficiently large aggregate of diversified opinions and reviews will yield a more truthful mean insight than one or two “professional” perspectives.

During the early days of this trend, the notion that one could turn to our peers for honest pre-purchase evaluations was both compelling and valuable. Sites such as Epinions.com and eBay fostered communities of idealistic shoppers, keen to ensure that their fellow consumers benefited from their prior experiences with a brand or product. As with most movements, the early days were a refreshing and invigorating alternative to what had admittedly become a somewhat stuffy status quo of entrenched, predictable, and unimaginative thinking. However, with mass adoption comes an exponential raising of the volume. The signal-to-noise ratio has diminished so swiftly that  I believe the “great experiment” risks expiring, gorged on the fat of its gluttony. Opinion aggregating sites such as Yelp are working frantically to develop and perfect algorithms that will mitigate the mess, but code often confounds the issue (many Yelp users – consumers and businesses alike – are complaining that their bona-fide reviews are being filtered for no apparent reason, and Yelp representatives explain that they have no control over the automated process of removing reviews that its algorithm deems “suspicious”).

This leaves us at the proverbial crossroad: either engineers or programmers discover and develop a stronger mechanism for managing the overwhelming pool of reviews attaching themselves to every book, diaper, TV, ointment, and car available on the Web; or we begin to find ourselves gravitating toward, and eventually anointing a select few regular reviewers, and making them the professional critics of the 21st Century, hired by their readership/viewership, and empowered to guide us all once more, as we seek out – albeit a little more frugally than our parents may have done – the next great meal, deal, or wheel.

What is certain, IMHO, is that crowdsourced review pools are fast reaching their saturation point and, unless someone begins to refine and maximize the resource, it will be as appealing and nourishing as sitting in a pool-full of marshmallows: the idea was thrilling, and the initial experience inspiring, but eventually the reality proves somewhat mind-numbing, and perhaps even a little sickening.

NFFTY Keynote Panel 2011

If you happen to be in Seattle in a couple of weeks, you are warmly invited to attend a panel I am moderating at this year’s National Film Festival for Talented Youth (the world’s largest youth film festival). The panel will take place at 11:30am, Friday April 29th, in the renowned SIFF Cinema (located at 321 Mercer Street at 3rd Avenue, McCaw Hall, in the heart of Seattle Center’s Theatre district).

Keynote Panel: Sharing Your Vision in the Digital Age

Financing, distribution, intellectual property, platforms and channels – these are but a few of the considerations facing today’s filmmakers, living in a world that experiences entertainment and information far beyond the confines of a theater, with all the opportunities and threats inherent in this shifting paradigm (multiplatform distribution, day-and-date, elimination of physical reel, concentric campaigns, GoogleTV/Hulu/Netflix/YouTube, streaming media, content piracy, interactive storytelling, and so much more).

This panel will comprise renowned professionals with a variety of viewpoints along the expanding content spectrum, together exploring how the modern storyteller can best ensure that their story has the greatest possible impact and value.

Panelists:

Moderator – Nicholas de Wolff

Click here to buy tickets.

Fragile China – Treat With Care

How many of you were aware that China and the US almost went to war recently (according to Chinese mainland media and other sources)? Did you know that China had rebuffed Obama’s request for Secretary Gates to come visit his military counterparts in China (to discuss North Korea situation), refusing to allow the US to meet with military leaders in Beijing; that the US parked several fleets around the nation as a show of indignant force; and that people in China were being prepared by their leaders to rise up and fight “the evil Americans”? I have friends in China who had their bags packed, ready to flee. Yet we heard precious little about this over here.

We are also hearing precious little about China’s enormous investment in the African continent, helping almost every nation therein build up their infrastructure, and investing heavily in natural resources. Just as many see the US as having helped to rebuild Europe in the post-war years, China is building a reputation through the African nations as the benevolent partner…

How are US corporations and administrations responding to the inescapable growth of this Asian culture? We cannot seek to slow down or arrest the development of this economic and cultural force. Attempts to crush evolutionary movement tend to hurt the instigator (see RIAA attempts to stop digital file downloads, as a smaller scale example).

China is bigger than most people seem to consciously calculate, and their business and social culture is very different to the aggressive, fast-moving instant gratification, individualistic culture manifest in US business and society. Are we SO arrogant to think WE can change THEM?..

I wonder how long it will take us to learn how to interface truly effectively with Chinese leaders (government and business), and whether that learning curve will prove simply too long to save us from painful decline as a leading global influencer of policy…when our Secretary of Defense is told to go fly a kite by a foreign nation, you know that more than icebergs are shifting…

Does This Make Me Look Fat?

I’ve been immersing myself, of late, in the Quora community: enjoying a diversified array of intelligent, enlightening, and sometimes challenging questions and answers posted via this still relatively new social tool (currently the front-runner in the dynamic social Q&A arena). My most recent answer was to the question “What are some good techniques for making company logos?”, and I offer my rough and ready answer, here below:

What are some good techniques for making company logos?

1. Recognize first that a logo is a reflective representation of a brand identity. (Say what?) – designing and creating a visually appealing or arresting graphic element will not, in and of itself, do anything for your company, except spend some of your valuable upfront assets, and waste time. Before you even think about developing a logo, be sure that you are firmly clear and codified on what the enterprise plans to become down the road (you do not want to have to change your logo unnecessarily), equally clear on how you wish to present this venture for now, and uniformly in agreement across the whole team as to the language you have set in stone to express the aforementioned vision and position.

2. If all of the above is achieved fully, you are ready to begin thinking about graphic reflections and representations of the language you have crafted to represent the through-line between your currently expressed position and your intended longer term objective (vision).

3. Spend an inordinate amount of time reviewing a vast diversity of logos, to assess which resonate with you the most, and work out why (some good resources might include http://www.famouslogos.org/ and http://www.dinesh.com/history_of_logos/worlds_best_brands_and_logos.html )

4. Having saturated your self with logos through time, hire someone who can guide you through the very intense exercise of evaluating the keywords, color palette, representative shapes pool, and other areas of focus you need to explore, in order to begin whittling down toward a collection of resource elements that will constitute the building blocks for your logo concept.

5. Identify a diverse grouping of people whose opinions you respect, each of whom comes from a very different business and consumer sector, some associated with your venture’s market, and others not so much. Position them according to their proximity to your business arena, with the most closely aligned at the center, working out to the least involved. These are your Alpha reviewers, who will give you feedback on your ideas, as they reach some degree of maturity.

6. Develop some sort of beta testing protocol (social media is proving very useful in this area, as most recently exemplified by the Bill & Melinda Gates Foundation web survey, soliciting input as they begin to redesign their website).

7. Try to marry the necessity for exhaustive market studies, competitive analysis, historical research, and feedback…with the equally core reality that many great logos were borne of creative genius and luck, mixed with a liberal dose of good timing, and marketing flair. A logo should never be the first expression of your company’s identity, but rather the final representation of the culmination of your company’s clear understanding and recording of its identity and purpose. Agencies galore will convince client companies to develop “clever” logos, with hidden “easter egg” elements (see FedEx, Amazon.com, Sony Vaio, et al), but the success of those logos is not due to graphical or creative genius (though those efforts certainly enhanced the final result, much as a well placed cherry makes all the difference on a Sundae), but rather to the successful underlying vision and positioning manifest by the company for which the logo speaks. Who cares if FedEx has a fun arrow hidden in its logo, if the packages don’t turn up in the right place? What matters the smiley face and “A to Z” arrow in Amazon.com’s logo if Mr Bezos and gang were not able to deliver on their vision of a comprehensive and user-friendly online shopping resource?

The best technique for a great company logo is to first establish – and be able to clearly communicate the value and vision behind – a great company.

There is a certain beauty in thought leadership that is almost instantly exposed to the scrutiny and critique of the “crowd”, empowered as they are to comment and even edit your “sage advice”. One of the factors that I least enjoyed about being a consultant was the inability to learn from my “mistakes” as extensively as I might in a full-time employee dynamic. Now, so long as one is willing to dispense a little with one’s ego, and embrace the notion of transparency, one can tap in to a community that will almost always enrich one’s contributions, sometimes in the strangest ways.

InfoGraphs Galore

This latest infograph, while interesting, also serves to demonstrate the need for some critical review of this meme. It’s all well  and good that publications, both online and off, are having a blast coloring up their data like a bunch of pre-K kids with a surfeit of Crayolas, but a little fact checking and editorial oversight would not go amiss. Can you spot the mistakes?:

A few of the errors and omissions worth noting:

1. It should be “CERN”, not “CREN”. Furthermore, I though the acronym stood for “Conseil Européen pour la Recherche Nucléaire”…
2. Where is email?
3. Where is AOL?
4. Where are broadband and DSL? (it would be okay if space prevented inclusion of these otherwise compelling milestones, but then…well…Pizza Hut?!)
5. That’s not a coaxial cable pictured for ‘76, that’s a CAT 5“modern” networking cable. Coaxial cable is like what they use for cable TV. Networking coax had ends that have a quater-turn quick connect fitting, and they were daisy-chained with T-junctions from device to device and had to have a special cap at the end of the cable (thanks to “darthmonkey” for this  observation)
6. Whatever happened to Tim Berners-Lee?

This is the Time of Empiricism

A fascinating, if somewhat random, interview with Stephen Fry. What do you agree with, and what do you contest? There is so much in here; it took me two viewings to begin to synthesize the content.

“The real heroism of people who think of others should be rewarded…and it usually is”

Mr. Fry, explores – among other things – his belief that experience, expertise and fulfillment come via interaction and generosity.

“Sharing the benefits of life IS the benefit of life”

It behooves today’s business leaders, perhaps, to see how some of these philosophies might be applied to their sector(s). While the commentary is more on a social scale, the applications have bearing on businesses seeking to maintain and enhance their validity in the new social marketplace.